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Le Gothic = influences and appropriations inEurope and America /

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	Le Gothic/ edited by Avril Horner and Sue Zlosnik.
其他題名:	influences and appropriations inEurope and America /
其他題名:	Gothic
其他作者:	Horner, Avril,
出版者:	Basingstoke :Palgrave Macmillan, : 2008.,
面頁冊數:	xiv, 248 p. :ill. :
附註:	Essays derived from the Gothic voyages conference, Mona Bismarck Foundation, Paris, 2004.
標題:	Gothic revival (Literature) - Congresses. -
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230582811

Le Gothic = influences and appropriations inEurope and America /
Le Gothicinfluences and appropriations inEurope and America /[electronic resource] :Gothicedited by Avril Horner and Sue Zlosnik. - Basingstoke :Palgrave Macmillan,2008. - xiv, 248 p. :ill.

Essays derived from the Gothic voyages conference, Mona Bismarck Foundation, Paris, 2004.

Includes bibliographical references and index.

List of Illustrations -- Acknowledgements -- Notes on Contributors -- Introduction; A.Horner and S.Zlosnik -- PART ONE: THE PARIS NEXUS -- Hugo's Notre Dame, Leroux's Fanôtme de l'Oépra and theChanging Functions of the Gothic; J.E.Hogle -- Edgar Allen Poe in Paris: The Fâlneur, the éDtournement and the Gothic Spaces of the Nineteenth-Century City; L.Blake -- Blood in Paris: Transformationsof Revolutionary Gothic in Henry James and Elizabeth Bowen; R.Ingelbien -- PART TWO: CHANNEL CROSSINGS -- The Cult of Rousseau in Women's Gothic Writing in the 1790s; A.Wright -- Huysmans, Machen andthe Gothic Grotesque, Or: The Way Up is the Way Down; A.Milbank -- Gothic Permutations from the 1790s to the 1970s: Re-thinking the Marquis de Sade's Legacy; M.Vara -- Dracula's Daughters: Angela Carterand Pierrette Fleutiaux's Vampiric Exchanges; R.Munford -- PART THREE: TRANSATLANTIC VOYAGES -- Beast's Triumph over Beautyin Gothic Film; K.J.Gentile -- 'Who is the third who walks always beside you?': Eliot, Stoker and Stetson in The Waste Land; W.Hughes -- Calvinist Gothic: The Case of Charles Brockden Brown's Wieland, or the Transformation and James Hogg's The Private Memoirs and Confessions of a Justified Sinner; C.M.Davison -- Colonial Ghosts: Mimicking Dickens in America; A.Smith -- PARTTHREE: CODA: OTHER DIRECTIONS -- Translating Technologies: Dickens, Kafka and the Gothic; B.Murnane-- A Voyage throughthe Phantom Museum; D.Punter -- Index.

Le Gothic provides a valuable corrective to the idea that Gothic fiction is mainly an Anglo-American phenomenon. Charting numerous influences and appropriations that took place between Europe and America between the late eighteenth and the twentieth centuries, it shows how Gothic writing flourished by crossing national and linguistic boundaries. It traces the importance of revolutionary Paris in the evolution of Gothic and explores cross-channel fertilizations and transatlantic exchanges in film and literature. Opening up new contexts, the contributors offer fresh perspectives on the work of Rousseau, de Sade, Charles Brockden Brown, James Hogg, Victor Hugo, Gaston Leroux, Charles Dickens, Edgar Allan Poe, Huysmans, Machen, T.S. Eliot, Henry James, Elizabeth Bowen, Pierrette Fleutiaux and Angela Carter, while considering Gothic writing in relation to Modernism and modernisation; the city; translation; gender; religion and postcolonialism.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230582811

Standard No.: 10.1057/9780230582811doiSubjects--Topical Terms:

294298
Gothic revival (Literature)
--Congresses.Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PN3435 / .G66 2008eb

Dewey Class. No.: 809.38729

Le Gothic = influences and appropriations inEurope and America /
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500 $a Essays derived from the Gothic voyages conference, Mona Bismarck Foundation, Paris, 2004.
504 $a Includes bibliographical references and index.
505 0 $a List of Illustrations -- Acknowledgements -- Notes on Contributors -- Introduction; A.Horner and S.Zlosnik -- PART ONE: THE PARIS NEXUS -- Hugo's Notre Dame, Leroux's Fanôtme de l'Oépra and theChanging Functions of the Gothic; J.E.Hogle -- Edgar Allen Poe in Paris: The Fâlneur, the éDtournement and the Gothic Spaces of the Nineteenth-Century City; L.Blake -- Blood in Paris: Transformationsof Revolutionary Gothic in Henry James and Elizabeth Bowen; R.Ingelbien -- PART TWO: CHANNEL CROSSINGS -- The Cult of Rousseau in Women's Gothic Writing in the 1790s; A.Wright -- Huysmans, Machen andthe Gothic Grotesque, Or: The Way Up is the Way Down; A.Milbank -- Gothic Permutations from the 1790s to the 1970s: Re-thinking the Marquis de Sade's Legacy; M.Vara -- Dracula's Daughters: Angela Carterand Pierrette Fleutiaux's Vampiric Exchanges; R.Munford -- PART THREE: TRANSATLANTIC VOYAGES -- Beast's Triumph over Beautyin Gothic Film; K.J.Gentile -- 'Who is the third who walks always beside you?': Eliot, Stoker and Stetson in The Waste Land; W.Hughes -- Calvinist Gothic: The Case of Charles Brockden Brown's Wieland, or the Transformation and James Hogg's The Private Memoirs and Confessions of a Justified Sinner; C.M.Davison -- Colonial Ghosts: Mimicking Dickens in America; A.Smith -- PARTTHREE: CODA: OTHER DIRECTIONS -- Translating Technologies: Dickens, Kafka and the Gothic; B.Murnane-- A Voyage throughthe Phantom Museum; D.Punter -- Index.
520 $a Le Gothic provides a valuable corrective to the idea that Gothic fiction is mainly an Anglo-American phenomenon. Charting numerous influences and appropriations that took place between Europe and America between the late eighteenth and the twentieth centuries, it shows how Gothic writing flourished by crossing national and linguistic boundaries. It traces the importance of revolutionary Paris in the evolution of Gothic and explores cross-channel fertilizations and transatlantic exchanges in film and literature. Opening up new contexts, the contributors offer fresh perspectives on the work of Rousseau, de Sade, Charles Brockden Brown, James Hogg, Victor Hugo, Gaston Leroux, Charles Dickens, Edgar Allan Poe, Huysmans, Machen, T.S. Eliot, Henry James, Elizabeth Bowen, Pierrette Fleutiaux and Angela Carter, while considering Gothic writing in relation to Modernism and modernisation; the city; translation; gender; religion and postcolonialism.
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