新生學校財團法人新生醫護管理專科學校圖書館 |

Decentring dancing texts = the challenge of interpreting dances /

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	Decentring dancing texts/ edited by Janet Lansdale.
其他題名:	the challenge of interpreting dances /
其他作者:	Lansdale, Janet.
出版者:	Basingstoke [England] ;Palgrave Macmillan, : 2008.,
面頁冊數:	xi, 216 p. :ill. :
標題:	Choreography - Cross-cultural studies. -
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230584426

Decentring dancing texts = the challenge of interpreting dances /
Decentring dancing textsthe challenge of interpreting dances /[electronic resource] :edited by Janet Lansdale. - Basingstoke [England] ;Palgrave Macmillan,2008. - xi, 216 p. :ill.

Includes bibliographical references and index.

List of Illustrations -- Acknowledgments -- Notes on Contributors --Preface -- Intertextual Narratives in Dance Analysis; J.Lansdale -- Betraying History? An Historiographic Analysis of The Judas Tree (1992); A.Carter -- Unbalancing the Authentic/Partnering Classicism: Shobana Jeyasingh's Choreography and the Bharata Natyam b1 sTradition b2 s; J.O'shea -- Akram Khan's Ma (2004): An Essay in Hybridisation and Productive Ambiguity; L.Sanders -- Elusive Narratives: M.Ek & G.Poesio -- On thePremises of French Contemporary Dance: Concepts, Collectivity, and b3 sTrojan Horses b4 s in the Work of éJrome Bel and Lïoc Touéz; T.D b2 sAmelio -- Chasing voices: Ian Spink's Dancing Fugue (1988);J.Lansdale -- Jonathan Burrows and Matteo Fargion's Both Sitting Duet (2002): a Discursive Choreomusical Collaboration; D.Perazzo Domm -- Lea Anderson, Dancing and Drawing the Past into the Present; H.Rottenberg -- Mad Hot Ballroom and the Politics of Transformation; S.Dodds -- Mapping the Multifarious: the Genrification of Dance Music Club Cultures; J.L.Hall -- Harpies and Pyjamas: the Making ofHeart Thief (2003); Deveril -- Index.

Decentring is a term used both in dance and in critical theory. Merce Cunningham famously decentred the dance, with several activities taking place at once. The absence of a directed structure for the spectatorinvited instead a multiplicity of co-existing perspectives. The lack of a centre isalso typical of writings in new theories of post-structuralism. Decentring Dancing Texts analyses recent dance practices in the theatre, in club culture and on film, addressing their interdisciplinaryrelationship with music, painting and plays through new theoretical positions. Covering works by LeaAnderson, éJrome Bel, Jonathan Burrows,Mats Ek, Akram Khan, Shobana Jeyasingh, Ian Spink and LïocTouéz, the book also contains an original essay on New York youngsters dancing in the film Mad Hot Ballroom. The contributors use insights from web-basedtheories of hypertextuality to analyse the making of new television dance and to construct the spectator as co-creator of meaning in the work, with the original maker.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230584426

Standard No.: 10.1057/9780230584426doiSubjects--Topical Terms:

294396
Choreography
--Cross-cultural studies.Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: GV1782.5 / .D43 2008eb

Dewey Class. No.: 792.8/2

Decentring dancing texts = the challenge of interpreting dances /
LDR:03377cmm a2200289 a 4500 001 154319
003 OCoLC
005 20101102091230.0
006 m d
007 cr nn muauu
008 160218s2008 enka sb 001 0 eng d
020 $a 9780230584426
020 $a 023058442X
024 7 $a 10.1057/9780230584426 $2 doi
040 $a UKPGM $b eng $c UKPGM
041 0 $a eng
049 $a APTA
050 1 4 $a GV1782.5 $b .D43 2008eb
082 0 4 $a 792.8/2 $2 22
245 0 0 $a Decentring dancing texts $h [electronic resource] : $b the challenge of interpreting dances / $c edited by Janet Lansdale.
260 $a Basingstoke [England] ; $a New York : $c 2008. $b Palgrave Macmillan,
300 $a xi, 216 p. : $b ill.
504 $a Includes bibliographical references and index.
505 0 $a List of Illustrations -- Acknowledgments -- Notes on Contributors --Preface -- Intertextual Narratives in Dance Analysis; J.Lansdale -- Betraying History? An Historiographic Analysis of The Judas Tree (1992); A.Carter -- Unbalancing the Authentic/Partnering Classicism: Shobana Jeyasingh's Choreography and the Bharata Natyam b1 sTradition b2 s; J.O'shea -- Akram Khan's Ma (2004): An Essay in Hybridisation and Productive Ambiguity; L.Sanders -- Elusive Narratives: M.Ek & G.Poesio -- On thePremises of French Contemporary Dance: Concepts, Collectivity, and b3 sTrojan Horses b4 s in the Work of éJrome Bel and Lïoc Touéz; T.D b2 sAmelio -- Chasing voices: Ian Spink's Dancing Fugue (1988);J.Lansdale -- Jonathan Burrows and Matteo Fargion's Both Sitting Duet (2002): a Discursive Choreomusical Collaboration; D.Perazzo Domm -- Lea Anderson, Dancing and Drawing the Past into the Present; H.Rottenberg -- Mad Hot Ballroom and the Politics of Transformation; S.Dodds -- Mapping the Multifarious: the Genrification of Dance Music Club Cultures; J.L.Hall -- Harpies and Pyjamas: the Making ofHeart Thief (2003); Deveril -- Index.
520 $a Decentring is a term used both in dance and in critical theory. Merce Cunningham famously decentred the dance, with several activities taking place at once. The absence of a directed structure for the spectatorinvited instead a multiplicity of co-existing perspectives. The lack of a centre isalso typical of writings in new theories of post-structuralism. Decentring Dancing Texts analyses recent dance practices in the theatre, in club culture and on film, addressing their interdisciplinaryrelationship with music, painting and plays through new theoretical positions. Covering works by LeaAnderson, éJrome Bel, Jonathan Burrows,Mats Ek, Akram Khan, Shobana Jeyasingh, Ian Spink and LïocTouéz, the book also contains an original essay on New York youngsters dancing in the film Mad Hot Ballroom. The contributors use insights from web-basedtheories of hypertextuality to analyse the making of new television dance and to construct the spectator as co-creator of meaning in the work, with the original maker.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a Choreography $v Cross-cultural studies. $3 294396
650 0 $a Dance $v Reviews. $3 287741
655 7 $a Electronic books. $2 local. $3 96803
700 1 $a Lansdale, Janet. $3 294395
710 2 $a Palgrave Connect (Online service) $3 227469
776 1 $c Original $z 9780230542594 $z 023054259X $w (DLC) 2008015941 $w (OCoLC)225846712
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9780230584426 $z access to fulltext (Palgrave)