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English historical drama, 1500-1660 = forms outside the canon /

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	English historical drama, 1500-1660/ edited by Teresa Grant and Barbara Ravelhofer.
其他題名:	forms outside the canon /
其他作者:	Grant, Teresa,
出版者:	Basingstoke :Palgrave Macmillan, : 2008.,
面頁冊數:	x, 206 p.
叢書名:	Early modern literature in history
標題:	Historical drama, English - History and criticism. -
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230593268

English historical drama, 1500-1660 = forms outside the canon /
English historical drama, 1500-1660forms outside the canon /[electronic resource] :edited by Teresa Grant and Barbara Ravelhofer. - Basingstoke :Palgrave Macmillan,2008. - x, 206 p. - Early modern literature in history.

Includes bibliographical references and index.

The early Tudor history play / Janette Dillon -- The reformation of history in John Bale's biblical dramas / Andrew W. Taylor -- Seneca andthe early Elizabethan history play / Michael Ullyot --History in the making: the case of Samuel Rowley's when you see me you know me (1604/5) / Teresa Grant -- The stage historicizes the Turk: convention and contradiction in the Turkish history play / Mark Hutchings -- News drama: the tragic subject of Charles I / Barbara Ravelhofer.

Many readers today associate the early modern history play with Shakespeare. While not wishing to ignore the influence of Shakespeare, thiscollection of essays explores other historical drama between 1500 and 1660, covering a wide range of different formats outside the canon of 1590s history cycles. The introduction provides a survey of current criticism, including both early modern and contemporary definitions of the 'history play'. Individual essays in chronological order discuss a widevariety of possible sources for historical drama, ranging from oral traditions to chronicles. They explore genres which think of 'history' indifferent ways, such as shows, moralities and closet drama.Finally, the book investigates the way sources are turned into script and performance, and the way playwrights spin history-in-performance, establishingexciting alternative paradigms of early historical drama.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230593268

Standard No.: 10.1057/9780230593268doiSubjects--Topical Terms:

200056
Historical drama, English
--History and criticism.Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PR635.H5 / E54 2008eb

Dewey Class. No.: 822.051409031

English historical drama, 1500-1660 = forms outside the canon /
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245 0 0 $a English historical drama, 1500-1660 $h [electronic resource] : $b forms outside the canon / $c edited by Teresa Grant and Barbara Ravelhofer.
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300 $a x, 206 p.
440 0 $a Early modern literature in history
504 $a Includes bibliographical references and index.
505 0 $a The early Tudor history play / Janette Dillon -- The reformation of history in John Bale's biblical dramas / Andrew W. Taylor -- Seneca andthe early Elizabethan history play / Michael Ullyot --History in the making: the case of Samuel Rowley's when you see me you know me (1604/5) / Teresa Grant -- The stage historicizes the Turk: convention and contradiction in the Turkish history play / Mark Hutchings -- News drama: the tragic subject of Charles I / Barbara Ravelhofer.
520 $a Many readers today associate the early modern history play with Shakespeare. While not wishing to ignore the influence of Shakespeare, thiscollection of essays explores other historical drama between 1500 and 1660, covering a wide range of different formats outside the canon of 1590s history cycles. The introduction provides a survey of current criticism, including both early modern and contemporary definitions of the 'history play'. Individual essays in chronological order discuss a widevariety of possible sources for historical drama, ranging from oral traditions to chronicles. They explore genres which think of 'history' indifferent ways, such as shows, moralities and closet drama.Finally, the book investigates the way sources are turned into script and performance, and the way playwrights spin history-in-performance, establishingexciting alternative paradigms of early historical drama.
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