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Offstage space, narrative, and the t...
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Gruber, William E.
Offstage space, narrative, and the theatre of the imagination
紀錄類型:
書目-電子資源 : 單行本
正題名/作者:
Offstage space, narrative, and the theatre of the imagination/ William Gruber.
作者:
Gruber, William E.
出版者:
New York, NY :Palgrave Macmillan, : 2010.,
面頁冊數:
192 p.
標題:
Offstage action (Drama) -
電子資源:
access to fulltext (Palgrave)
ISBN:
9780230105645
Offstage space, narrative, and the theatre of the imagination
Gruber, William E.
Offstage space, narrative, and the theatre of the imagination
[electronic resource] /William Gruber. - 1st ed. - New York, NY :Palgrave Macmillan,2010. - 192 p.
Includes bibliographical references (p. [181]-188) and index.
Introduction: Sights unseen -- Showing vs. telling -- Against mimesis -- Theaters of absence.
Offstage Space, Narrative, and the Theatre of the Imagination is a study of extrascenic spaceand how playwrights have used narrative as analternative to conventional scenic enactment. The bookcovers the workof writers as diverse as Euripides, Plautus, Shakespeare, Susan Glaspell, Gertrude Stein, Bertolt Brecht, Samuel Beckett, Marguerite Duras, Brian Friel, and Thomas Bernhard. William Gruber offers a wide-ranging overview of the dramaturgical choices dramatists make when they substitute imagined events for perceptual ones.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.
Mode of access:World Wide Web.
ISBN: 9780230105645Subjects--Topical Terms:
304302
Offstage action (Drama)
Index Terms--Genre/Form:
96803
Electronic books.
LC Class. No.: PN1696 / .G78 2010
Dewey Class. No.: 808.2
Offstage space, narrative, and the theatre of the imagination
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192 p.
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Includes bibliographical references (p. [181]-188) and index.
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Introduction: Sights unseen -- Showing vs. telling -- Against mimesis -- Theaters of absence.
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Offstage Space, Narrative, and the Theatre of the Imagination is a study of extrascenic spaceand how playwrights have used narrative as analternative to conventional scenic enactment. The bookcovers the workof writers as diverse as Euripides, Plautus, Shakespeare, Susan Glaspell, Gertrude Stein, Bertolt Brecht, Samuel Beckett, Marguerite Duras, Brian Friel, and Thomas Bernhard. William Gruber offers a wide-ranging overview of the dramaturgical choices dramatists make when they substitute imagined events for perceptual ones.
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