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Conflict and difference in nineteenth-century literature

Record Type:	Electronic resources : Monograph/item
Title/Author:	Conflict and difference in nineteenth-century literature/ edited by Dinah Birch and Mark Llewellyn.
remainder title:	Conflict and difference in 19th-century literature
other author:	Birch, Dinah.
Published:	Basingstoke, Hampshire [England] ;Palgrave Macmillan, : 2010.,
Description:	x, 257 p. :ill. :
Subject:	Ideology in literature. -
Subject:	Great Britain -
Online resource:	access to fulltext (Palgrave)
ISBN:	9780230277212

Conflict and difference in nineteenth-century literature
Conflict and difference in nineteenth-century literature[electronic resource] /Conflict and difference in 19th-century literatureedited by Dinah Birch and Mark Llewellyn. - Basingstoke, Hampshire [England] ;Palgrave Macmillan,2010. - x, 257 p. :ill.

Includes bibliographical references (p. 240-250) and index.

Introduction / Dinah Birch and Mark Llewellyn -- Argument as conflict: then and now / Helen Small -- Ever a fighter: Browning's struggle with conflict / Herbert F. Tucker -- Conflict and imperial communication:narrating the first Afghan war / Muireann O'Cinneide -- Off-white Indians / Kate Flint -- The interpretation of daydreams: reverie as site ofconflict in early Victorian psychiatry / Natalie Ford -- "If I am not grotesque I am nothing": Aubrey Beardsley and disabled identities in conflict / Alex Tankard -- Negotiating the gentle-man: male nursing and class conflict in the 'high' Victorian period / Holly Furneaux -- "Resolved in defiance of fool and of knave": chartism, children and conflict / Malcolm Chase -- Conversing with monstrosities: evolutionary theory and the contemporary response to Wilkie Collins / Janice M. Allan -- Dickens and the heritage industry: or, culture and the commodity / Juliet John -- The king and who? dance, difference, and identity in Anna Leonowensand The king and I / Sharon Aronofsky Weltman -- "The utmost intricacies of the soul's pathways": the significance of syntax in George Eliot's Felix Holt, the radical (1866) / Melissa Raines -- Culture wars? Arnold's essays in criticism and the rise of journalism 1864-1895 / Laurel Brake -- Shrieking sisters and bawling brothers: sibling rivalry inSarah Grand and Mary Cholmondeley / Galia Ofek --After eternal punishment: 'fin de siáecle' as literary eschatology / Matthew Bradley.

How should we understand Victorian cultural conflict? The Victorianswere fiercely disputatious, divided between multiple views of the political, religious and social issues that motivated theirchanging aspirations. Such debates are a fundamental aspect of the literary culture ofthe period, and the essays in this collection propose new ways of understanding their significance. Ranging from detailed readings of key literary figures (Browning, Collins, Dickens, Eliot) to explorations of cross-period themes (the philosophical roots of conflict; dreams and psychology; consumption; imperialism and race) or specific literary movements or moments (Chartism; journalism; writing of the Afghan War; New Woman novels), they address diverse areas of intellectual inquiry about what mattered most to the Victorians. These essays speak collectively in arguing for a reinterpretation of literary andcultural conflict through a greater critical awareness of the productive analyses available within such debates over difference in the period. The aim is not to resolve conflicted cultural moments ormovements, but to explore the slippages and instabilities which so fascinated, intrigued and inspired the Victorians themselves.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 9780230277212Subjects--Topical Terms:

208591
Ideology in literature.
Subjects--Geographical Terms:

81378
Great Britain
Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PR468.S6 / C66 2010

Dewey Class. No.: 820.9/355

Conflict and difference in nineteenth-century literature
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300 $a x, 257 p. : $b ill.
504 $a Includes bibliographical references (p. 240-250) and index.
505 0 $a Introduction / Dinah Birch and Mark Llewellyn -- Argument as conflict: then and now / Helen Small -- Ever a fighter: Browning's struggle with conflict / Herbert F. Tucker -- Conflict and imperial communication:narrating the first Afghan war / Muireann O'Cinneide -- Off-white Indians / Kate Flint -- The interpretation of daydreams: reverie as site ofconflict in early Victorian psychiatry / Natalie Ford -- "If I am not grotesque I am nothing": Aubrey Beardsley and disabled identities in conflict / Alex Tankard -- Negotiating the gentle-man: male nursing and class conflict in the 'high' Victorian period / Holly Furneaux -- "Resolved in defiance of fool and of knave": chartism, children and conflict / Malcolm Chase -- Conversing with monstrosities: evolutionary theory and the contemporary response to Wilkie Collins / Janice M. Allan -- Dickens and the heritage industry: or, culture and the commodity / Juliet John -- The king and who? dance, difference, and identity in Anna Leonowensand The king and I / Sharon Aronofsky Weltman -- "The utmost intricacies of the soul's pathways": the significance of syntax in George Eliot's Felix Holt, the radical (1866) / Melissa Raines -- Culture wars? Arnold's essays in criticism and the rise of journalism 1864-1895 / Laurel Brake -- Shrieking sisters and bawling brothers: sibling rivalry inSarah Grand and Mary Cholmondeley / Galia Ofek --After eternal punishment: 'fin de siáecle' as literary eschatology / Matthew Bradley.
520 $a How should we understand Victorian cultural conflict? The Victorianswere fiercely disputatious, divided between multiple views of the political, religious and social issues that motivated theirchanging aspirations. Such debates are a fundamental aspect of the literary culture ofthe period, and the essays in this collection propose new ways of understanding their significance. Ranging from detailed readings of key literary figures (Browning, Collins, Dickens, Eliot) to explorations of cross-period themes (the philosophical roots of conflict; dreams and psychology; consumption; imperialism and race) or specific literary movements or moments (Chartism; journalism; writing of the Afghan War; New Woman novels), they address diverse areas of intellectual inquiry about what mattered most to the Victorians. These essays speak collectively in arguing for a reinterpretation of literary andcultural conflict through a greater critical awareness of the productive analyses available within such debates over difference in the period. The aim is not to resolve conflicted cultural moments ormovements, but to explore the slippages and instabilities which so fascinated, intrigued and inspired the Victorians themselves.
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