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Post-jazz poetics = a social history /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Post-jazz poetics/ Jennifer D. Ryan.
Reminder of title:	a social history /
Author:	Ryan, Jennifer D.,
Published:	New York :Palgrave Macmillan, : 2010.,
Description:	xi, 225 p. :ill. :
Subject:	Feminism and literature - History - 20th century. - United States -
Online resource:	access to fulltext (Palgrave)
ISBN:	9780230109094

Post-jazz poetics = a social history /
Ryan, Jennifer D.,1974-

Post-jazz poeticsa social history /[electronic resource] :Jennifer D. Ryan. - 1st ed. - New York :Palgrave Macmillan,2010. - xi, 225 p. :ill.

Includes bibliographical references (p. [199]-216) and index.

Introduction: How do I make that sound? a new feminist poetics -- Finding her voice: the bodypolitics of Sherley Anne Williams's blues -- Nationhood re-formed: revolutionary style and practicein Sonia Sanchez's jazz poetics -- Talk to me: ecofeminist disruptions in the jazz poetry of Jayne Cortez -- Shape-shifting: the urban geographies of Wanda Coleman's jazz poetry -- Jazz's word for it: Harryette Mullen and the politics of intellectualism -- Conclusion: "Too many books for our eyes":future politics, future poetries.

African-American expressive arts draw upon multiple traditions of formal experimentation in the service of social change. Within these traditions, Jennifer D. Ryan demonstrates that black womenhave created literature, music, and political statements signifying some of the most incisive and complex elements of modern American culture. Post-Jazz Poetics: A Social History examines the jazz-influenced work of five twentieth-century African-American women poets: Sherley Anne Williams, Sonia Sanchez, Jayne Cortez, Wanda Coleman, and Harryette Mullen. These writers' engagements with jazz-basedcompositional devices represent a new strand of radical black poetics, while their renditions of local-to-globalsocial critique sketch the outlines of a transnational feminism.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 9780230109094Subjects--Personal Names:

304698
Williams, Sherley Anne,
1944-1999--Criticism and interpretation.Subjects--Topical Terms:

207205
Feminism and literature
--History--United States--20th century.Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PS310.J39 / R93 2010

Dewey Class. No.: 811/.5409928708996073

Post-jazz poetics = a social history /
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300 $a xi, 225 p. : $b ill.
504 $a Includes bibliographical references (p. [199]-216) and index.
505 0 $a Introduction: How do I make that sound? a new feminist poetics -- Finding her voice: the bodypolitics of Sherley Anne Williams's blues -- Nationhood re-formed: revolutionary style and practicein Sonia Sanchez's jazz poetics -- Talk to me: ecofeminist disruptions in the jazz poetry of Jayne Cortez -- Shape-shifting: the urban geographies of Wanda Coleman's jazz poetry -- Jazz's word for it: Harryette Mullen and the politics of intellectualism -- Conclusion: "Too many books for our eyes":future politics, future poetries.
520 $a African-American expressive arts draw upon multiple traditions of formal experimentation in the service of social change. Within these traditions, Jennifer D. Ryan demonstrates that black womenhave created literature, music, and political statements signifying some of the most incisive and complex elements of modern American culture. Post-Jazz Poetics: A Social History examines the jazz-influenced work of five twentieth-century African-American women poets: Sherley Anne Williams, Sonia Sanchez, Jayne Cortez, Wanda Coleman, and Harryette Mullen. These writers' engagements with jazz-basedcompositional devices represent a new strand of radical black poetics, while their renditions of local-to-globalsocial critique sketch the outlines of a transnational feminism.
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