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French and American noir = dark crossings /

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	French and American noir/ Alistair Rolls and Deborah Walker.
其他題名:	dark crossings /
作者:	Rolls, Alistair,
其他作者:	Walker, Deborah,
出版者:	Basingstoke :Palgrave Macmillan, : 2009.,
面頁冊數:	ix, 229 p. ;23 cm.;
標題:	French fiction - History and criticism. - 20th century -
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230244825

French and American noir = dark crossings /
Rolls, Alistair,1971-

French and American noirdark crossings /[electronic resource] :Alistair Rolls and Deborah Walker. - Basingstoke :Palgrave Macmillan,2009. - ix, 229 p. ;23 cm. - Crime files series. - Crime files series..

Includes bibliographical references and index.

Acknowledgements -- Introduction -- Fetishistic Noir: Charles Baudelaire and éLo Malet -- Liberation Noir: Boris Vian and the éSrie Noire (1) -- Allegorical Noir: Boris Vian and the Serie Noire(2) -- Noir Strangulation (1): Terry Stewart and Vernon Sullivan -- Noir Strangulation (2): Aémlie Nothomb and Intertextuality -- Jazz: Classic French Film Noir as Trans-Atlantic Exchange -- Fatal(e)Crossings: Figures of the Feminine in French and American Film Noir -- Americans in Paris -- From Honest Thief to Media Sociopath -- Double-Crossings: Reversing the Remake-- Bibliography -- Index.

There is a longstanding misconception surrounding the term French noir, according to which the post-war French thriller and film noir were merely a development of, or response to, a pre-existing American tradition. This book aims to challenge this understanding of French noir, at once examining the complexity of this transatlantic exchange and refocusing debate to include a Franco-French lineage, especially in the case of French noir fiction. The result is a study of a 'genre' whose tendency is towards reflexivity and self parody. Where noir is keenly conscious of its own narrative structure, French noir is a celebration of its own French ancestry. Baudelaire is not simply a pioneer or forefather; instead, he lives on in twentieth-century French noir as a prose poetics. Sartre's Existentialism is not merely an accompanying philosophy to noir's mean streets but a crucial intertext,as relevant to the fictionand cinema of the 1990s and beyond as to the thrillers of the immediate post-war years. With French and American Noir, Rolls and Walker hope to put the French back into French noir.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 9780230244825

Standard No.: 10.1057/9780230244825doiSubjects--Topical Terms:

87901
French fiction
--History and criticism.--20th centuryIndex Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PQ637.D4 / R65 2009

Dewey Class. No.: 843.0872090914

French and American noir = dark crossings /
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245 1 0 $a French and American noir $h [electronic resource] : $b dark crossings / $c Alistair Rolls and Deborah Walker.
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300 $a ix, 229 p. ; $c 23 cm.
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504 $a Includes bibliographical references and index.
505 0 $a Acknowledgements -- Introduction -- Fetishistic Noir: Charles Baudelaire and éLo Malet -- Liberation Noir: Boris Vian and the éSrie Noire (1) -- Allegorical Noir: Boris Vian and the Serie Noire(2) -- Noir Strangulation (1): Terry Stewart and Vernon Sullivan -- Noir Strangulation (2): Aémlie Nothomb and Intertextuality -- Jazz: Classic French Film Noir as Trans-Atlantic Exchange -- Fatal(e)Crossings: Figures of the Feminine in French and American Film Noir -- Americans in Paris -- From Honest Thief to Media Sociopath -- Double-Crossings: Reversing the Remake-- Bibliography -- Index.
520 $a There is a longstanding misconception surrounding the term French noir, according to which the post-war French thriller and film noir were merely a development of, or response to, a pre-existing American tradition. This book aims to challenge this understanding of French noir, at once examining the complexity of this transatlantic exchange and refocusing debate to include a Franco-French lineage, especially in the case of French noir fiction. The result is a study of a 'genre' whose tendency is towards reflexivity and self parody. Where noir is keenly conscious of its own narrative structure, French noir is a celebration of its own French ancestry. Baudelaire is not simply a pioneer or forefather; instead, he lives on in twentieth-century French noir as a prose poetics. Sartre's Existentialism is not merely an accompanying philosophy to noir's mean streets but a crucial intertext,as relevant to the fictionand cinema of the 1990s and beyond as to the thrillers of the immediate post-war years. With French and American Noir, Rolls and Walker hope to put the French back into French noir.
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