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Haunting and spectrality in neo-Victorian fiction = possessing the past /

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	Haunting and spectrality in neo-Victorian fiction/ edited by Rosario Arias, Patricia Pulham.
其他題名:	possessing the past /
其他作者:	Arias de Aramburâu, Rosario.
出版者:	Basingstoke :Palgrave Macmillan, : 2009.,
面頁冊數:	p.cm.;
標題:	English fiction - History and criticism. - 20th century -
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230246744

Haunting and spectrality in neo-Victorian fiction = possessing the past /
Haunting and spectrality in neo-Victorian fictionpossessing the past /[electronic resource] :edited by Rosario Arias, Patricia Pulham. - Basingstoke :Palgrave Macmillan,2009. - p.cm.

Salley Vickers, Venice, and the Victorians / F.O'Gorman -- Spectrality, S(p)ecularity and Textuality: Or, Some Reflections in the Glass / M.Llewellyn -- Repetition and Eternity: Spectral and Textual Continuity in Micháele Roberts' In the Red Kitchen / A.Golda-Derejczyk -- The Maid, the Master, his Ghost and her Monster: Alias Grace and Mary Reilly / E.Saxey -- Olfactory Ghosts: Michel Faber's The Crimson Petal and the White / S.Colella -- The Haunting of Henry James: Jealous Ghosts, Affinities, and The Others / A.Heilmann -- Haunted Places, Haunted Spaces: The Spectral Return of Victorian London in Neo-Victorian Fiction / R.Arias -- Mapping Histories: The Golem and the Serial Killer in White Chappell, Scarlet Tracings and Dan Leno and the Limehouse Golem / P.Pulham.

Neo-Victorianism is now widely accepted as one of the most engaging forms of historical interplay in contemporary culture. This is the first book to offer a thorough examination of neo-Victorian fiction in the context of haunting and spectrality. Acknowledged as a fruitful area ofresearch in recent critical theory, this trope provides both the organizing principle of the volume and a metaphor for contemporary re-imaginings of the Victorian past, which parallel a renewed interest in the impact of the occult and the supernatural on Victorian individuals. By looking at the encrypted spectral traces of the Victorian past in the work of writers such as Salley Vickers, Michel Faber, ValerieMartin, Micèhle Roberts, Sarah Waters, A. N. Wilson, Joyce Carol Oates, John Harwood, Jem Poster, Charles Palliser, Iain Sinclair, Peter Ackroyd, Matthew Kneale and Clare Clark, this highly readable collection advances the increasing critical discussion of neo-Victorian literature.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 9780230246744

Standard No.: 10.1057/9780230246744doiSubjects--Topical Terms:

88131
English fiction
--History and criticism.--20th centuryIndex Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PR883 / .H386 2009

Dewey Class. No.: 823.9140958281

Haunting and spectrality in neo-Victorian fiction = possessing the past /
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505 0 $a Salley Vickers, Venice, and the Victorians / F.O'Gorman -- Spectrality, S(p)ecularity and Textuality: Or, Some Reflections in the Glass / M.Llewellyn -- Repetition and Eternity: Spectral and Textual Continuity in Micháele Roberts' In the Red Kitchen / A.Golda-Derejczyk -- The Maid, the Master, his Ghost and her Monster: Alias Grace and Mary Reilly / E.Saxey -- Olfactory Ghosts: Michel Faber's The Crimson Petal and the White / S.Colella -- The Haunting of Henry James: Jealous Ghosts, Affinities, and The Others / A.Heilmann -- Haunted Places, Haunted Spaces: The Spectral Return of Victorian London in Neo-Victorian Fiction / R.Arias -- Mapping Histories: The Golem and the Serial Killer in White Chappell, Scarlet Tracings and Dan Leno and the Limehouse Golem / P.Pulham.
520 $a Neo-Victorianism is now widely accepted as one of the most engaging forms of historical interplay in contemporary culture. This is the first book to offer a thorough examination of neo-Victorian fiction in the context of haunting and spectrality. Acknowledged as a fruitful area ofresearch in recent critical theory, this trope provides both the organizing principle of the volume and a metaphor for contemporary re-imaginings of the Victorian past, which parallel a renewed interest in the impact of the occult and the supernatural on Victorian individuals. By looking at the encrypted spectral traces of the Victorian past in the work of writers such as Salley Vickers, Michel Faber, ValerieMartin, Micèhle Roberts, Sarah Waters, A. N. Wilson, Joyce Carol Oates, John Harwood, Jem Poster, Charles Palliser, Iain Sinclair, Peter Ackroyd, Matthew Kneale and Clare Clark, this highly readable collection advances the increasing critical discussion of neo-Victorian literature.
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