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Hegemony and fantasy in Irish drama, 1899-1949

Record Type:	Electronic resources : Monograph/item
Title/Author:	Hegemony and fantasy in Irish drama, 1899-1949/ Paul Murphy.
Author:	Murphy, Paul,
Published:	Basingstoke [England] ;Palgrave Macmillan, : 2008.,
Description:	ix, 266 p. ;23 cm.;
Subject:	English drama - Irish authors -
Subject:	Ireland - Intellectual life - 20th century. -
Online resource:	access to fulltext (Palgrave)
ISBN:	9780230583856

Hegemony and fantasy in Irish drama, 1899-1949
Murphy, Paul,1971-

Hegemony and fantasy in Irish drama, 1899-1949[electronic resource] /Paul Murphy. - Basingstoke [England] ;Palgrave Macmillan,2008. - ix, 266 p. ;23 cm.

Includes bibliographical references (p. 214-260) and index.

PART I: PEASANT QUALITY AND THE NATIONAL QUINTESSENCE -- Dream of the Noble and the Beggarman-- To Live the Things That I Before Imagined -- Whatever Rule We May Have, We b2 sll Always Have Our Tramps and Paupers -- That Ireland Which We Dreamed Of -- PART II: THE WOMAN AND ITS VICISSITUDES -- What Kind of a Living Woman is it That You Are At All? -- That a Black Twisty Divil Could Be Hiding Under Such Comeliness -- Sure if I Was a Good Wife to Him - That Mightn't Be An Easy Job! -- WomanGives to the State.

Now that Irish drama studies has a sound platform in terms of historicization, particularly regarding the relationship between drama, stateformation and national identity, the time is ripe to engage in research which questions that relationship, specifically in terms of the disjunction between nation, class and gender in the Irish cultural context. In this sense Hegemony and Fantasy is a deliberate intervention rather than a general historicization, in terms of an engagement with Irish drama primarily from the perspectives of class and gender, rather than that of nation or national identity, which has formed the superstructure of many debates in Irish drama studies for many years. In parallel withthe aim of shifting the methodological paradigm of Irish drama studies, Hegemony and Fantasy attempts to reaccentuate the focus on the Irish dramatic canon by providing a new engagement with canonical drama, as well as engaging with non-canonical drama especially in the under-researchedperiod 1926-1949.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230583856

Standard No.: 10.1057/9780230583856doiSubjects--Topical Terms:

88309
English drama
--Irish authorsSubjects--Geographical Terms:

88311
Ireland
--Intellectual life--20th century.Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PR8789 / .M85 2008eb

Dewey Class. No.: 822/.9109

Hegemony and fantasy in Irish drama, 1899-1949
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505 0 $a PART I: PEASANT QUALITY AND THE NATIONAL QUINTESSENCE -- Dream of the Noble and the Beggarman-- To Live the Things That I Before Imagined -- Whatever Rule We May Have, We b2 sll Always Have Our Tramps and Paupers -- That Ireland Which We Dreamed Of -- PART II: THE WOMAN AND ITS VICISSITUDES -- What Kind of a Living Woman is it That You Are At All? -- That a Black Twisty Divil Could Be Hiding Under Such Comeliness -- Sure if I Was a Good Wife to Him - That Mightn't Be An Easy Job! -- WomanGives to the State.
520 $a Now that Irish drama studies has a sound platform in terms of historicization, particularly regarding the relationship between drama, stateformation and national identity, the time is ripe to engage in research which questions that relationship, specifically in terms of the disjunction between nation, class and gender in the Irish cultural context. In this sense Hegemony and Fantasy is a deliberate intervention rather than a general historicization, in terms of an engagement with Irish drama primarily from the perspectives of class and gender, rather than that of nation or national identity, which has formed the superstructure of many debates in Irish drama studies for many years. In parallel withthe aim of shifting the methodological paradigm of Irish drama studies, Hegemony and Fantasy attempts to reaccentuate the focus on the Irish dramatic canon by providing a new engagement with canonical drama, as well as engaging with non-canonical drama especially in the under-researchedperiod 1926-1949.
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