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Shakespeare and character = theory, history,performance, and theatrical persons /

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	Shakespeare and character/ edited by Paul Yachnin and Jessica Slights.
其他題名:	theory, history,performance, and theatrical persons /
其他作者:	Yachnin, Paul Edward,
出版者:	Basingstoke [England] ;Palgrave Macmillan, : 2009.,
面頁冊數:	xiii, 259 p. ;23 cm.;
叢書名:	Palgrave Shakespeare studies
標題:	Characters and characteristics in literature. -
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230584150

Shakespeare and character = theory, history,performance, and theatrical persons /
Shakespeare and charactertheory, history,performance, and theatrical persons /[electronic resource] :edited by Paul Yachnin and Jessica Slights. - Basingstoke [England] ;Palgrave Macmillan,2009. - xiii, 259 p. ;23 cm. - Palgrave Shakespeare studies.

Includes bibliographical references and index.

Introduction / P.Yachnin and J.Slights -- PART I: THEORY -- Confusing Shakespeare's Characters with Real People: Reflections on Reading in Four Questions / M.Bristol -- The Reality of Fictive Cinematic Characters / T.Ponech -- Character as Dynamic Identity: From Fictional Interaction Script to Performance / W.Dodd -- PART II: HISTORY -- Personnage: History, Philology, Performance / A.G.Bourassa -- The Properties of Character in King Lear / J.Berg -- Embodied Intersubjectivity and the Creation of Early Modern Character / L.Lieblein -- PART III: PERFORMANCE -- Metatheater and the Performance of Character in The Winter's Tale / P.Yachnin and M.W.Selkirk -- Character, Agency and the Familiar Actor / A.J.Hartley -- The Actor-Character in 'Secretly Open' Action: Doubly Encoded Personationon Shakespeare's Stage / R.Weimann -- PART IV: THEATRICAL PERSONS -- Is Timon a Character? / A.Dawson -- When is a bastard nota bastard? Character in King John / C.Slights -- Arming Cordelia: Character and Performance / S.Werner.

'Character' is a word with enormous resonance in theatrical practice, performance criticism, and literary and historical scholarship. It isalso a word in need of concerted, interdisciplinary re-articulation. Shakespeare and Character provides a theoretically, historically, theatrically and critically substantial account of character. One of the questions that the authors ask is, 'What is character?' To answer this central question - and to begin to provide a new critical vocabulary for character study - they examine the theory, history, formal properties, and the literary and performance possibilities of Shakespearean characteras we;; as the bearing that 'theatrical persons' might have on the situation of actual people. They also emphasize the interrelationship between theory and the particular by connecting theories and histories of the idea of character to concrete, detailed accounts of particular characters as they emerge in the text and on the stage.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230584150

Standard No.: 10.1057/9780230584150doiSubjects--Personal Names:

88277
Shakespeare, William,
1564-1616--Criticism and interpretation--20th century.Subjects--Topical Terms:

92558
Characters and characteristics in literature.
Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PR2989 / .S525 2009eb

Dewey Class. No.: 822.3/3

Shakespeare and character = theory, history,performance, and theatrical persons /
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300 $a xiii, 259 p. ; $c 23 cm.
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504 $a Includes bibliographical references and index.
505 0 $a Introduction / P.Yachnin and J.Slights -- PART I: THEORY -- Confusing Shakespeare's Characters with Real People: Reflections on Reading in Four Questions / M.Bristol -- The Reality of Fictive Cinematic Characters / T.Ponech -- Character as Dynamic Identity: From Fictional Interaction Script to Performance / W.Dodd -- PART II: HISTORY -- Personnage: History, Philology, Performance / A.G.Bourassa -- The Properties of Character in King Lear / J.Berg -- Embodied Intersubjectivity and the Creation of Early Modern Character / L.Lieblein -- PART III: PERFORMANCE -- Metatheater and the Performance of Character in The Winter's Tale / P.Yachnin and M.W.Selkirk -- Character, Agency and the Familiar Actor / A.J.Hartley -- The Actor-Character in 'Secretly Open' Action: Doubly Encoded Personationon Shakespeare's Stage / R.Weimann -- PART IV: THEATRICAL PERSONS -- Is Timon a Character? / A.Dawson -- When is a bastard nota bastard? Character in King John / C.Slights -- Arming Cordelia: Character and Performance / S.Werner.
520 $a 'Character' is a word with enormous resonance in theatrical practice, performance criticism, and literary and historical scholarship. It isalso a word in need of concerted, interdisciplinary re-articulation. Shakespeare and Character provides a theoretically, historically, theatrically and critically substantial account of character. One of the questions that the authors ask is, 'What is character?' To answer this central question - and to begin to provide a new critical vocabulary for character study - they examine the theory, history, formal properties, and the literary and performance possibilities of Shakespearean characteras we;; as the bearing that 'theatrical persons' might have on the situation of actual people. They also emphasize the interrelationship between theory and the particular by connecting theories and histories of the idea of character to concrete, detailed accounts of particular characters as they emerge in the text and on the stage.
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