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Theatre and religion on Krishna's st...
~
Mason, David V.
Theatre and religion on Krishna's stage = performing in Vrindavan /
紀錄類型:
書目-電子資源 : 單行本
正題名/作者:
Theatre and religion on Krishna's stage/ David V. Mason.
其他題名:
performing in Vrindavan /
作者:
Mason, David V.
出版者:
New York, NY :Palgrave Macmillan, : 2009.,
面頁冊數:
195 p. :ill. ; : 22 cm.;
標題:
ISBN:
9780230621589
Theatre and religion on Krishna's stage = performing in Vrindavan /
Mason, David V.
Theatre and religion on Krishna's stage
performing in Vrindavan /[electronic resource] :David V. Mason. - 1st ed. - New York, NY :Palgrave Macmillan,2009. - 195 p. :ill. ;22 cm. - Palgrave studies in theatre and performance history.
Theatre and Religion on Krishna's Stage examines the history and form of India's rãas lila folk theatre, and discusses how this theatre functions as a mechanism of worship and spirituality among Krishna devotees in India. From analyses of performances and conversations with performers, audience, and local scholars, Mason argues that ârs lila actors and audience alike actively assume roles that locate them together in the spiritual reality that the play represents. Correlating Krishna devotion and theories of religious experience, this book suggests that the emotional experience of theatrical fiction may arise from the propensityof audiences to play out roles of their own through whichthey share aperformance's reality. ?#0
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 9780230621589Subjects--Topical Terms:
72593
Index Terms--Genre/Form:
239592
LC Class. No.: PN2886.V75 / M38 2009
Dewey Class. No.: 792.0954/2
Theatre and religion on Krishna's stage = performing in Vrindavan /
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performing in Vrindavan /
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Theatre and Religion on Krishna's Stage examines the history and form of India's rãas lila folk theatre, and discusses how this theatre functions as a mechanism of worship and spirituality among Krishna devotees in India. From analyses of performances and conversations with performers, audience, and local scholars, Mason argues that ârs lila actors and audience alike actively assume roles that locate them together in the spiritual reality that the play represents. Correlating Krishna devotion and theories of religious experience, this book suggests that the emotional experience of theatrical fiction may arise from the propensityof audiences to play out roles of their own through whichthey share aperformance's reality. ?#0
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