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Video cultures = media technology an...
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Buckingham, David, (1954-)
Video cultures = media technology and everyday creativity /
紀錄類型:
書目-電子資源 : 單行本
正題名/作者:
Video cultures/ edited by David Buckingham and Rebekah Willett.
其他題名:
media technology and everyday creativity /
其他作者:
Buckingham, David,
出版者:
Basingstoke :Palgrave Macmillan, : 2009.,
面頁冊數:
vii, 241 p. :ill. ; : 23 cm.;
標題:
Video recordings - Social aspects - Great Britain. -
電子資源:
access to fulltext (Palgrave)
ISBN:
9780230244696
Video cultures = media technology and everyday creativity /
Video cultures
media technology and everyday creativity /[electronic resource] :edited by David Buckingham and Rebekah Willett. - Basingstoke :Palgrave Macmillan,2009. - vii, 241 p. :ill. ;23 cm.
Includes bibliographical references and index.
In The Frame: Mapping Camcorder Cultures; R.Willett -- A CommonplaceArt? Understanding Amateur Media Production; D.Buckingham -- 'Take Back The Tube!': The Discursive Construction of Amateur Film- and Video-Making; D.Buckingham, M.Pini & R.Willett -- Inside the Home Mode; M.Pini -- Speaking Back? In Search of the Citizen Journalist; D.Buckingham -- Parodic Practices: Amateur Spoofs on VideoSharing Sites; R.Willett -- Skate Perception: Self-Representation, Identity and Visual Style in a Youth Subculture; D.Buckingham -- Handing Over Control? Access, 'Ordinary People' and Video Nation; J.Henderson -- In The Bedroom: Sex on Video; M.Pini -- The Hidden World of Organised Amateur Film-Making; D.Buckingham -- Always On: Camera Phones, Video Production and Identity; R.Willett -- Power To The People? The Past and Future of Amateur Video; D.Buckingham.
Over the past decade, the video camcorder has become a commonplace household object. The riseof YouTube and other video sharing sites has made it significantly easier to distribute amateur video productions, and national broadcasters are increasingly interested in 'user-generatedcontent' andthe work of so-called 'citizen journalists'. For some, this growth in access to video production ispart of a wider democratisation of media, and the emergence of a much more participatory media culture. However, others argue that such practices amount to little more than a trivial family pastime, that does little if anything to challenge the power of the established mass media. This book explores the diversity of 'video cultures' in contemporary Britain through a series of casestudies ranging from citizen journalists to amateur pornographers, andfrom teenage pranksters to elderly members of video-making clubs. Through its discussion of specific video-making practices, the book raises broader issues about key themes in contemporary cultural studies, including creativity, social capital, identity and technology.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.
Mode of access:World Wide Web.
ISBN: 9780230244696
Standard No.: 10.1057/9780230244696doiSubjects--Topical Terms:
306611
Video recordings
--Social aspects--Great Britain.Index Terms--Genre/Form:
96803
Electronic books.
LC Class. No.: PN1992.94
Dewey Class. No.: 384.558
Video cultures = media technology and everyday creativity /
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edited by David Buckingham and Rebekah Willett.
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In The Frame: Mapping Camcorder Cultures; R.Willett -- A CommonplaceArt? Understanding Amateur Media Production; D.Buckingham -- 'Take Back The Tube!': The Discursive Construction of Amateur Film- and Video-Making; D.Buckingham, M.Pini & R.Willett -- Inside the Home Mode; M.Pini -- Speaking Back? In Search of the Citizen Journalist; D.Buckingham -- Parodic Practices: Amateur Spoofs on VideoSharing Sites; R.Willett -- Skate Perception: Self-Representation, Identity and Visual Style in a Youth Subculture; D.Buckingham -- Handing Over Control? Access, 'Ordinary People' and Video Nation; J.Henderson -- In The Bedroom: Sex on Video; M.Pini -- The Hidden World of Organised Amateur Film-Making; D.Buckingham -- Always On: Camera Phones, Video Production and Identity; R.Willett -- Power To The People? The Past and Future of Amateur Video; D.Buckingham.
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Over the past decade, the video camcorder has become a commonplace household object. The riseof YouTube and other video sharing sites has made it significantly easier to distribute amateur video productions, and national broadcasters are increasingly interested in 'user-generatedcontent' andthe work of so-called 'citizen journalists'. For some, this growth in access to video production ispart of a wider democratisation of media, and the emergence of a much more participatory media culture. However, others argue that such practices amount to little more than a trivial family pastime, that does little if anything to challenge the power of the established mass media. This book explores the diversity of 'video cultures' in contemporary Britain through a series of casestudies ranging from citizen journalists to amateur pornographers, andfrom teenage pranksters to elderly members of video-making clubs. Through its discussion of specific video-making practices, the book raises broader issues about key themes in contemporary cultural studies, including creativity, social capital, identity and technology.
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