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Sexual difference in European cinema = the curse of enjoyment /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Sexual difference in European cinema/ Fabio Vighi.
Reminder of title:	the curse of enjoyment /
Author:	Vighi, Fabio,
Published:	Basingstoke [England] ;Palgrave Macmillan, : 2009.,
Description:	1 online resource (v, 258 p.)
Notes:	Description based on print version record.
Subject:	Sex role in motion pictures. -
Online resource:	access to fulltext (Palgrave)
ISBN:	9780230594357 (electronic bk.)

Sexual difference in European cinema = the curse of enjoyment /
Vighi, Fabio,1969-

Sexual difference in European cinemathe curse of enjoyment /[electronic resource] :Fabio Vighi. - Basingstoke [England] ;Palgrave Macmillan,2009. - 1 online resource (v, 258 p.)

Description based on print version record.

Includes bibliographical references (p. 242-253) and index.

Introduction -- PART I: THE COMFORT OF FANTASIES -- Sublime Objects:The Antinomies of Masculine Sexuality from Fellini to Truffaut -- Ethics of Drive: On Beauty and its Enjoyment from Rohmer toPasolini -- Unbearable Freedoms: The Real of Sexual Difference from Rossellini to Fassbinder -- PART II: VARIATIONS ON FEMININE ENJOYMENT -- In the Beginningwas Enjoyment: The Emergence of Feminine Desire in Bergman and Antonioni -- About Nothing, with Precision: Femininity Unbound from Ophuls to Antonioni -- In Film Beyond Film: On the Ontological Primacy of Woman -- Conclusion -- Bibliography -- Index.

What can European cinema tell us about sexual difference? Can film shed some light on Lacan'sinfamous thesis that 'there is no such a thing as a sexual relationship'? Fabio Vighi argues that cinema is the ideal medium to unravel not only Lacan's theory of sexuality, but also its social and political implications. This book brings together cinematic fiction and psychoanalysis to identify the repressed kernel that structures our experience as subjects immersed in a specific socio-symbolic context. The filmic representation of sexual difference provides here the key paradigm to unravel the discrepancy and inter-connections betweenreality and the Real of enjoyment. Vighi examines a number of seminal works in post-war European cinema from two main perspectives: the masculine logic of courtly love, and feminine enjoyment. Inspired by Slavojiek's reading of Lacan, the & nbsp;book analyses directors such as Fellini, Truffaut, Antonioni, Bergman, Ophuls, Rossellini, Bñuuel, Rohmer, Fassbinder and many others.

ISBN: 9780230594357 (electronic bk.)Subjects--Topical Terms:

88316
Sex role in motion pictures.
Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PN1995.9.S47 / V54 2009eb

Dewey Class. No.: 809/.933538

Sexual difference in European cinema = the curse of enjoyment /
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500 $a Description based on print version record.
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505 0 $a Introduction -- PART I: THE COMFORT OF FANTASIES -- Sublime Objects:The Antinomies of Masculine Sexuality from Fellini to Truffaut -- Ethics of Drive: On Beauty and its Enjoyment from Rohmer toPasolini -- Unbearable Freedoms: The Real of Sexual Difference from Rossellini to Fassbinder -- PART II: VARIATIONS ON FEMININE ENJOYMENT -- In the Beginningwas Enjoyment: The Emergence of Feminine Desire in Bergman and Antonioni -- About Nothing, with Precision: Femininity Unbound from Ophuls to Antonioni -- In Film Beyond Film: On the Ontological Primacy of Woman -- Conclusion -- Bibliography -- Index.
520 $a What can European cinema tell us about sexual difference? Can film shed some light on Lacan'sinfamous thesis that 'there is no such a thing as a sexual relationship'? Fabio Vighi argues that cinema is the ideal medium to unravel not only Lacan's theory of sexuality, but also its social and political implications. This book brings together cinematic fiction and psychoanalysis to identify the repressed kernel that structures our experience as subjects immersed in a specific socio-symbolic context. The filmic representation of sexual difference provides here the key paradigm to unravel the discrepancy and inter-connections betweenreality and the Real of enjoyment. Vighi examines a number of seminal works in post-war European cinema from two main perspectives: the masculine logic of courtly love, and feminine enjoyment. Inspired by Slavojiek's reading of Lacan, the & nbsp;book analyses directors such as Fellini, Truffaut, Antonioni, Bergman, Ophuls, Rossellini, Bñuuel, Rohmer, Fassbinder and many others.
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