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Dialogue editing for motion pictures = a guide to the invisible art /

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	Dialogue editing for motion pictures/ John Purcell ; forward by Dominick Tavella.
其他題名:	a guide to the invisible art /
作者:	Purcell, John,
出版者:	Boston :Focal Press, : c2007.,
面頁冊數:	1 online resource (xv, 365 p.) :ill. :
標題:	Motion pictures - Sound effects. -
電子資源:	http://www.sciencedirect.com/science/book/9780240809182
ISBN:	9780240809182

Dialogue editing for motion pictures = a guide to the invisible art /
Purcell, John,1957-

Dialogue editing for motion picturesa guide to the invisible art /[electronic resource] :John Purcell ; forward by Dominick Tavella. - Boston :Focal Press,c2007. - 1 online resource (xv, 365 p.) :ill.

Includes bibliographical references and index.

What Is Dialogue Editing; Things You Need to Know about Postproduction; A Quick Look at Picture Editing; The Sound Department; Getting Sound from the Picture Department to the Sound Department; Files, Back-Ups and Burn-Ins; Screening the OMF; Managing Your Time; Getting Started; The Editing Begins; Image, Depth and Perspective; Repairing Damage; Conformations; ADR; Preparing for the Mix.

Dialogue editing is a crucial yet invisible part of filmmaking. Do it right, and no one notices. Do it wrong, and your film or video sounds messy, distracting, and unrealistic. This is a book for people who need to edit production sound for film, TV, or video but were never taught how to do it. It goes step by step through the process and covers all the workflows you are likely to encounter. Efficient working practices are emphasized throughout, so you learn to save time and avoid needless repetition. Many dialogue editors are hobbled by a lack of understanding of the non-sound aspects of filmmaking. Unlike editors who cut effects, backgrounds or Foley, a dialogue editor's work is directly affected by what has gone on before. How a film was shot, recorded and edited will dramatically influence the dialogue editing process. Much of this book, then, deals with things which at first glance don't appear to be dialogue. You will find overviews of film picture and sound postproduction--film, tape, NTSC, PAL, 24p, and HD. There are summaries of film picture editing, OMF manipulation, and ADR management. * A veteran sound editor shows you how to produce a flawless dialogue track * Covers organization and time management so you can work efficiently * Must-have information for sound editors, dialogue editors, and assistant editors.

ISBN: 9780240809182

Source: 136656:136790Elsevier Science & Technologyhttp://www.sciencedirect.comSubjects--Topical Terms:

291004
Motion pictures
--Sound effects.Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: TR897 / .P7975 2007

Dewey Class. No.: 791.43

Dialogue editing for motion pictures = a guide to the invisible art /
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245 1 0 $a Dialogue editing for motion pictures $h [electronic resource] : $b a guide to the invisible art / $c John Purcell ; forward by Dominick Tavella.
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505 0 $a What Is Dialogue Editing; Things You Need to Know about Postproduction; A Quick Look at Picture Editing; The Sound Department; Getting Sound from the Picture Department to the Sound Department; Files, Back-Ups and Burn-Ins; Screening the OMF; Managing Your Time; Getting Started; The Editing Begins; Image, Depth and Perspective; Repairing Damage; Conformations; ADR; Preparing for the Mix.
520 $a Dialogue editing is a crucial yet invisible part of filmmaking. Do it right, and no one notices. Do it wrong, and your film or video sounds messy, distracting, and unrealistic. This is a book for people who need to edit production sound for film, TV, or video but were never taught how to do it. It goes step by step through the process and covers all the workflows you are likely to encounter. Efficient working practices are emphasized throughout, so you learn to save time and avoid needless repetition. Many dialogue editors are hobbled by a lack of understanding of the non-sound aspects of filmmaking. Unlike editors who cut effects, backgrounds or Foley, a dialogue editor's work is directly affected by what has gone on before. How a film was shot, recorded and edited will dramatically influence the dialogue editing process. Much of this book, then, deals with things which at first glance don't appear to be dialogue. You will find overviews of film picture and sound postproduction--film, tape, NTSC, PAL, 24p, and HD. There are summaries of film picture editing, OMF manipulation, and ADR management. * A veteran sound editor shows you how to produce a flawless dialogue track * Covers organization and time management so you can work efficiently * Must-have information for sound editors, dialogue editors, and assistant editors.
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