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[ author_sort:"hearne, joanna." ]
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Smoke signals = native cinema rising /
~
Hearne, Joanna.
Smoke signals = native cinema rising /
紀錄類型:
書目-電子資源 : 單行本
正題名/作者:
Smoke signals/ Joanna Hearne.
其他題名:
native cinema rising /
作者:
Hearne, Joanna.
出版者:
Lincoln :University of Nebraska Press, : 2012.,
面頁冊數:
1 online resource (304 p.).
標題:
SOCIAL SCIENCE / Ethnic Studies / Native American Studies. -
電子資源:
Full text available:
ISBN:
9780803244627 (electronic bk.)
Smoke signals = native cinema rising /
Hearne, Joanna.
Smoke signals
native cinema rising /[electronic resource] :Joanna Hearne. - Lincoln :University of Nebraska Press,2012. - 1 online resource (304 p.). - Indigenous films.
Includes bibliographical references and index.
"An introduction to and analysis of "Smoke Signals," the most popular Native American film ofall time"--
ISBN: 9780803244627 (electronic bk.)Subjects--Uniform Titles:
Smoke signals (Motion picture)
Subjects--Topical Terms:
221534
SOCIAL SCIENCE / Ethnic Studies / Native American Studies.
LC Class. No.: PN1997..S6115 / H43 2012
Dewey Class. No.: 791.43/72
Smoke signals = native cinema rising /
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"Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie, it was the first wide-release feature film written, directed, coproduced, and acted by Native Americans. The most popular Native American film of all time, Smoke Signals is also an innovative work of cinematic storytelling that demands sustained critical attention in its own right. Embedded in Smoke Signals's universal story of familial loss andrenewal are uniquely Indigenous perspectives about political sovereignty, Hollywood's long history of misrepresentation, and the rise of Indigenous cinema across the twentieth and twenty-first centuries. Joanna Hearne's work foregrounds the voices of the filmmakers and performers--ininterviews withAlexie and director Chris Eyre, among others--to explore the film's audiovisual and narrative strategies for speaking to multiple audiences. In particular, Hearne examines the filmmakers' appropriation of mainstream American popular culture forms to tell a Native story. Focusing in turn on the production and reception of the film and issues of performance, authenticity, social justice, and environmental history within the film's text and context, this in-depth introduction and analysis expands our understanding and deepens our enjoyment of a Native cinema landmark. "--
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http://muse.jhu.edu/books/9780803244627/
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