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New waves in aesthetics

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	New waves in aesthetics/ edited by KathleenStock and Katherine Thomson-Jones.
其他作者:	Stock, Kathleen.
出版者:	Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan, : 2008.,
面頁冊數:	xix, 269 p.
叢書名:	New waves in philosophy
標題:	Aesthetics. -
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230227453

New waves in aesthetics
New waves in aesthetics[electronic resource] /edited by KathleenStock and Katherine Thomson-Jones. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2008. - xix, 269 p. - New waves in philosophy.

Includes bibliographical references and index.

Introduction / Katherine Thomson-Jones and Kathleen Stock -- The ontological diversity of visual artworks / Sherri Irvin -- New waves in musical ontology / Andrew Kania -- Metaphors and musicalexpressiveness /Saam Trivedi -- Davidson, metaphor and error theory / Andrew McGonigal-- Artifact expression / John Kulvicki -- A metaphysics of creativity / Dustin Stokes -- From defining art to defining the individual arts : the role of theory in the philosophies of arts / Aaron Meskin -- Imagining fact and fiction / Stacie Friend -- Three debates in meta-aesthetics / Elisabeth Schellekens -- Aesthetic ideals / Rafaèel De Clercq -- Configuring the cognitive imagination / Jonathan M. Weinberg -- Personifying art / Brian Soucek -- Danto and Kant, together at last / Diarmuid Costello.

New Waves In Aesthetics is a collection of essays by leading young scholars on central issuesin analytic aesthetics. Many of the topics taken up in the collection are familiar - including aesthetic judgment, aesthetic properties, the ontology of art, theories of art, metaphor, imagination, expressions, creativity and fiction. But the treatment of these topics is new, enriched by knowledge of the history of aesthetics, recent developments in the art world, and recent debates in other areasof philosophy and the humanities in general, as well as in cognitive science. Other topics in the collection may be less familiar, either because they draw our attention to oft-ignored aspects of artand aesthetic experience, such as the personification of art, or because they advocate revision of a widely accepted view - say, of the relation between the work of Kant and Arthur Danto. Overall, the diversity and rigour of the collection reflects the current liveliness, and confirms the brightfuture of analytic aesthetics.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230227453

Standard No.: 10.1057/9780230227453doiSubjects--Topical Terms:

86693
Aesthetics.
Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: BH39 / .N48 2008eb

Dewey Class. No.: 111/.85

New waves in aesthetics
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505 0 $a Introduction / Katherine Thomson-Jones and Kathleen Stock -- The ontological diversity of visual artworks / Sherri Irvin -- New waves in musical ontology / Andrew Kania -- Metaphors and musicalexpressiveness /Saam Trivedi -- Davidson, metaphor and error theory / Andrew McGonigal-- Artifact expression / John Kulvicki -- A metaphysics of creativity / Dustin Stokes -- From defining art to defining the individual arts : the role of theory in the philosophies of arts / Aaron Meskin -- Imagining fact and fiction / Stacie Friend -- Three debates in meta-aesthetics / Elisabeth Schellekens -- Aesthetic ideals / Rafaèel De Clercq -- Configuring the cognitive imagination / Jonathan M. Weinberg -- Personifying art / Brian Soucek -- Danto and Kant, together at last / Diarmuid Costello.
520 $a New Waves In Aesthetics is a collection of essays by leading young scholars on central issuesin analytic aesthetics. Many of the topics taken up in the collection are familiar - including aesthetic judgment, aesthetic properties, the ontology of art, theories of art, metaphor, imagination, expressions, creativity and fiction. But the treatment of these topics is new, enriched by knowledge of the history of aesthetics, recent developments in the art world, and recent debates in other areasof philosophy and the humanities in general, as well as in cognitive science. Other topics in the collection may be less familiar, either because they draw our attention to oft-ignored aspects of artand aesthetic experience, such as the personification of art, or because they advocate revision of a widely accepted view - say, of the relation between the work of Kant and Arthur Danto. Overall, the diversity and rigour of the collection reflects the current liveliness, and confirms the brightfuture of analytic aesthetics.
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