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More contemporary cinematographers on their art

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	More contemporary cinematographers on their art/ Pauline B. Rogers.
作者:	Rogers, Pauline B.
出版者:	Boston :Focal Press, : 2000.,
面頁冊數:	1 online resource (xii, 199 p.)
標題:	Cinematographers - Interviews. -
電子資源:	http://www.sciencedirect.com/science/book/9780240803685
ISBN:	9780240803685

More contemporary cinematographers on their art
Rogers, Pauline B.

More contemporary cinematographers on their art[electronic resource] /Pauline B. Rogers. - Boston :Focal Press,2000. - 1 online resource (xii, 199 p.)

Michael A Benson (Black Dog, Volcano) Peter James, ASC (The Newton Boys, Paradise Road); Daryn Okada (Senseless, Anna Karenina); Neil Roach (My Name is Bill W, To Dance With the White Dog) Ward C. Russell, ASC (X-Files The Movies, Lawnmower Man 2); Nancy Schreiber, ASC (Blair Witch-Hunt; Your Friends and Neighbors) John Schwartzman, ASC (Armageddon, The Conspiracy Theory); Dean Semler, ASC. (City Slickers; Dances With Wolves); Dante Spinotti, ASC (Goodbye, Lover) Ueli Steiger, ASC (Godzilla, House Arrest); Vilmos Zsigmond, ASC (Playing by Heart, The Ghost and the Darkness).

This sequel to Contemporary Cinematographers on Their Art offers in-depth conversations with some of the most important cinematographers working in film, television and commercials today. It includes younger cinematographers who have recently made their mark as well as icons of this craft. The conversations cover all aspects of cinematography from pre-production planning to post-production, special effects, underwater photography, and second unit. Each interview gives a behind-the-scenes look at how some of the most popular shots in films and television were lit and captured. Like its predecessor, this book explores the tools, trends, personalities, and professional achievements of contemporary cinematographers, highlighting the behind-the-scenes struggles of the business of making motion pictures. Each chapter delves into the personal challenges, political proprieties, inter-departmental interactions, and artistic achievements of the artists who bring scripts to life through their choice of cameras, lights, lenses, filters, gels, and other supporting equipment. Interviews with prominent, award-winning cinematographers Insight into some of the most popular and innovative movies today Covers all aspects of cinematography, including post-production and special effects.

ISBN: 9780240803685

Source: 91984:91983Elsevier Science & Technologyhttp://www.sciencedirect.comSubjects--Topical Terms:

324456
Cinematographers
--Interviews.Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: TR850 / .R64 2000

Dewey Class. No.: 778.5/3

More contemporary cinematographers on their art
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505 0 $a Michael A Benson (Black Dog, Volcano) Peter James, ASC (The Newton Boys, Paradise Road); Daryn Okada (Senseless, Anna Karenina); Neil Roach (My Name is Bill W, To Dance With the White Dog) Ward C. Russell, ASC (X-Files The Movies, Lawnmower Man 2); Nancy Schreiber, ASC (Blair Witch-Hunt; Your Friends and Neighbors) John Schwartzman, ASC (Armageddon, The Conspiracy Theory); Dean Semler, ASC. (City Slickers; Dances With Wolves); Dante Spinotti, ASC (Goodbye, Lover) Ueli Steiger, ASC (Godzilla, House Arrest); Vilmos Zsigmond, ASC (Playing by Heart, The Ghost and the Darkness).
505 0 $a Mike Benson -- Peter James, A.S.C. -- Daryn Okada -- Neil Roach -- Ward Russell -- Nancy Schreiber -- John Schwartzman, A.S.C. -- Dean Semler, A.S.C. -- Dante Spinotti, A.S.C. -- Ueli Steiger -- Vilmos Zsigmond, A.S.C.
520 $a This sequel to Contemporary Cinematographers on Their Art offers in-depth conversations with some of the most important cinematographers working in film, television and commercials today. It includes younger cinematographers who have recently made their mark as well as icons of this craft. The conversations cover all aspects of cinematography from pre-production planning to post-production, special effects, underwater photography, and second unit. Each interview gives a behind-the-scenes look at how some of the most popular shots in films and television were lit and captured. Like its predecessor, this book explores the tools, trends, personalities, and professional achievements of contemporary cinematographers, highlighting the behind-the-scenes struggles of the business of making motion pictures. Each chapter delves into the personal challenges, political proprieties, inter-departmental interactions, and artistic achievements of the artists who bring scripts to life through their choice of cameras, lights, lenses, filters, gels, and other supporting equipment. Interviews with prominent, award-winning cinematographers Insight into some of the most popular and innovative movies today Covers all aspects of cinematography, including post-production and special effects.
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