English fiction - History and criticism. - 20th century

Twentieth-century crime fiction by: (Electronic resources)

Food, consumption, and the body in contemporary women's fiction by: (Electronic resources)

British fiction after modernism = the novel at mid-century / by: (Electronic resources)

The contemporary British historical novel = representation, nation, empire / by: (Electronic resources)

Museum trouble = Edwardian fiction and the emergence of modernism / by: (Electronic resources)

Unseasonable youth = modernism, colonialism, and the fiction of development / by: (Electronic resources)

Feminine subjects in masculine fiction = modernity, will and desire, 1870-1910 / by: (Electronic resources)

The demotic voice in contemporary British fiction by: (Electronic resources)

Childhood in Edwardian fiction = worlds enough and time / by: (Electronic resources)

Theorists of the modernist novel = James Joyce, Dorothy Richardson, Virginia Woolf / by: (Electronic resources)

Irish Novels 1890-1940. = New Bearings in Culture and Fiction. by: (Electronic resources)

C. P. Snow = the dynamics of hope / by: (Electronic resources)

The Irish novel 1960-2010 by: (Electronic resources)

Bestsellers : = popular fiction since 1900 / by: (Language materials, printed)

Fictional dialogue = speech and conversationin the modern and postmodern novel / by: (Electronic resources)

Alternative paradigms of literary realism by: (Electronic resources)

The noir thriller by: (Electronic resources)

Reaganism, Thatcherism and the social novel by: (Electronic resources)

The Cambridge companion to Joseph Conrad / by: (Electronic resources)

Postmodern fiction and the break-up of Britain by: (Electronic resources)

Contemporary British fiction by: (Electronic resources)

Race and antiracism in black British and British Asian literature by: (Electronic resources)

Literature after Darwin = human beasts in western fiction, 1859-1939 / by: (Electronic resources)

Fantasy and reconciliation = contemporary formulas of women's romance fiction / by: (Electronic resources)

Consciousness & the novel : = connected essays / by: (Language materials, printed)

Modernism and market fantasy = British fictions of capital, 1910-1939 / by: (Electronic resources)

Femininity, crime and self-defence in Victorian literature and society = from dagger-fans to suffragettes / by: (Electronic resources)

Literary landscapes = from modernism to postcolonialism / by: (Electronic resources)

Reading the novel in English, 1950-2000 by: (Electronic resources)

Reading the modern British and Irish novel, 1890-1930 by: (Electronic resources)

The contemporary British novel by: (Electronic resources)

Bestsellers = popular fiction since 1900 / by: (Electronic resources)

Hearts of darkness : = white women write race / by: (Language materials, printed)

Colonial odysseys : = empire and epic in the modernist novel / by: (Language materials, printed)

Spies and holy wars = the Middle East in 20th-century crime fiction / by: (Electronic resources)

The modern novel = a short introduction / by: (Electronic resources)

Neo-Victorian fiction and historical narrative = the Victorians and us / by: (Electronic resources)

British fiction of the 1990s by: (Electronic resources)

Urban gothic of the Second World War = dark London / by: (Electronic resources)

Spiritualism and women's writing = from the fin de siáecle to the neo-Victorian / by: (Electronic resources)

Ford Madox Ford and the misfit moderns = Edwardian fiction and the first World War / by: (Electronic resources)

Graphing Jane Austen = the evolutionary basis of literary meaning / by: (Electronic resources)

Haunting and spectrality in neo-Victorian fiction = possessing the past / by: (Electronic resources)

Contemporary fiction and the ethics of modern culture by: (Electronic resources)

Trauma, postmodernism, and the aftermath of World War II by: (Electronic resources)

The Victorian woman question in contemporary feminist fiction by: (Electronic resources)

Father and son : = Kingsley Amis, Martin Amis, and the British novel since 1950 / by: (Language materials, printed)

Madness in post-1945 British and American fiction by: (Electronic resources)

Gender and ventriloquism in Victorian and neo-Victorian fiction = passionate puppets / by: (Electronic resources)

Marketing literature = the making of contemporary writing in Britain / by: (Electronic resources)

Salman Rushdie and Indian historiography = writing the nation into being / by: (Electronic resources)